![]() Upon its release, it was lambasted by some, who said it was a "vicious and unfair picture of the peasantry of France" in France, 4,910,835 theater tickets were sold, making the most successful film at the French box office in 1952. The film was entered into competition at the 13th Venice International Film Festival festival organizers at first considered the film ineligible because it had been screened at Cannes it ended up receiving the Golden Lion, the Festival's highest prize. The film was widely praised among critics, whose "howling protests" were heard at the 1952 Cannes Film Festival where it was not an "official entry of France" instead, it was "screened on the fringe of the Competition." His father doesn't keep his promise: Michel destroys the crosses and Paulette ends up going to a Red Cross camp, but at the end of the film is seen running away into a crowd of people in the Red Cross camp, crying for Michel and then for her mother. Michel cannot bear the thought of her leaving and tells his father that he would tell him where the stolen crosses are, but in return he should not give Paulette to the gendarmes. Meanwhile, the French gendarmes come to the Dollé household in order to take Paulette. Eventually, the father finds out that Michel has stolen the cross. ![]() Michel's father first suspects that Michel's brother's cross was stolen from the graveyard by his neighbour. The two attempt to cope with the death and destruction that surrounds them by secretly building a small cemetery among the ruins of an abandoned watermill, where they bury her dog and start to bury other animals, marking their graves with crosses stolen from a local graveyard, including one belonging to Michel's brother. After five-year-old Paulette's parents and pet dog die in a German air attack on a column of refugees fleeing Paris, the traumatized child meets 10-year-old Michel Dollé whose peasant family takes her in. It is June 1940, during the Battle of France.
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